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#BeyondRavilious: Tirzah Garwood painted, too. In many ways, like Eric, although a different style, they portray Britain in an equally gentle but impactful way. She deserves an exhibition of her own really. Her art appears to be largely in private collections or @TownerGallery.
The Cement Pit, Eric Ravilious, 1934. One of two cements pits near Furlongs, Glynde, East #Sussex. The original artwork is in a private collection.
Two Women in A Garden, Eric Ravilious, 1932. Painted at Brick House, Great Bardfield in #Essex, it depicts Tirzah Garwood, Eric’s wife, and Charlotte Bawden, who was married to artist Edward Bawden. The original artwork is in the collection of @FryArtGallery.
Thanks to @hillww1 for this @artfund article about the #WW2 Ravilious @I_W_M recently acquired - The Operations Room, 1942. https://t.co/9Oq6e4Uuez
Buoys and Grappling Hook, Eric Ravilious, 1933. The original artwork was sold at @ChristiesInc in 2016 and is believed to be in a private collection.
Two Women in A Garden, Eric Ravilious, 1932. Painted at Brick House, Great Bardfield in #Essex, it depicts Tirzah Garwood, Eric’s wife, and Charlotte Bawden, who was married to artist Edward Bawden. The original artwork is in the collection of @FryArtGallery.
The Attic Bedroom at Brick House, Eric Ravilious, 1932. This was at Great Bardfield in #Essex. The original artwork is in the collection of @FryArtGallery.
Newt Pond, Eric Ravilious, 1932. Depicting a scene at Great Bardfield in #Essex. After being sold to a private collection at @ChristiesInc some years ago, it is now on loan to @TownerGallery.
Two Women in A Garden, Eric Ravilious, 1932. Painted at Brick House, Great Bardfield in #Essex, it depicts Tirzah Garwood, Eric’s wife, and Charlotte Bawden, who was married to artist Edward Bawden. The original is in the collection of @FryArtGallery.