Dr Robert Bohanさんのイラストまとめ
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In 1808 he & his wife separated. He paid her expenses & supported their children. As his art matured he was less influenced by Dutch art & more individual in his own style. Returning from the Ale House (1809), Cottages (1810-2) & Kensington Gravel Pits (1812)
Initially he painted landscapes before, as his reputation grew, he turned to genre by 1808. His first works were shown at the 1804 RA exhibition. Suffolk Landscape (c1810), John Varley (1814) & Horses (1816). Varley was his brother-in-law.
He died in 1519, aged 67. In his will he left much of his estate to Melzi & to Salai. These two men had supported & loved him in life. Leda (nd), Nude (nd) & Salai as John the Baptist. The latter is a surprisingly erotic image for an old master (I’ve censored the ‘proud’ organ)
He was in Rome 1513-6 & had a good relationship with the Pope & met with the French King. He entered the King’s service in 1516, & was given a Manor House & a pension. Woman (1508), Embryo (1509-14) & St John (1510-15). The latter was based on Salai, his lover.
In 1503 he created a preliminary study (a cartoon) for the Battle of Anghiari for the city hall in Florence. It was not used. Isabella d’Este (1500), Salvator Mundi (attributed, c1500) & Madonna of the Yardwinder (attributed, 1501)
Adoration of the Magi (1481-2) with sketches for the work. He was painstaking when working on an image. Much research was done, sketches made & unique paint created. Such preparation & experimentation meant that works were often unfinished, were lost or completed by others.
One of the great triumphs of science in the Renaissance were Leonardo’s botanical studies of plants. Lady with Unicorn (c1480), Lily (1480-5), St Jerome (1480) & St Sebastian (1480-1). St Sebastian was often used as a coded symbol by gay artists.
