Dr Robert Bohanさんのイラストまとめ

A building site (1914) dissolves into near abstraction & seascapes allow him to pursue an emotional response to the world around him at about the same time. His depiction of water is one of the great joys of German art.

Where he painted outdoors, Corinth’s brush becomes more fluid & his images more expressionist. In 1912 he painted this balcony scene, as well as this pounding seascape. The following year saw the creation of this lush canvas of a bowling alley

Portraits were central to Corinth’s art & his approach was unique both in how he considered depiction as well as technique. Carl Hagenbeck is shown at his zoo (1911), the Rumpf family is presented in an intense grouping (1901) & a relatively straight forward Prof Meyer (1910)

It was Corinth’s habit to produce a self-portrait every year & these document the increasing emotional intensity of the artist as well as his evolution into an expressionist painter. Here are examples from 1902, 1914 & 1924

Corinth was a gifted portraitist & imbued his subjects with a unique intensity as shown in his portrait of Carl Ludwig Elias (1899). He was also a lover of women & was inspired by the example of Rubens in creating a number of sensual nudes (1899 & 1900) & mythological studies.

Originally keen to be a painter of history, Corinth was advised otherwise & studied in Paris. Despite this international training a streak of German psychological intensity is apparent in his early realism works. Autumn Flowers (1895), a self-portrait (1884) & Diogenes (1891)

Visit my Etsy store to see all the works: https://t.co/ESVlK51Bhf

Heatwave (2022)
Buy here: https://t.co/QHVDd8xyKK

A beautifully painted Lavery. Here it is digitally ‘restored’ to remove the impact of discoloured varnish https://t.co/WJdtG64wqT

One of Clarke’s early secular stained glass masterpieces is the Song of the Mad Prince (1917). This jewel like window is set in a specially made box created by Dublin’s finest cabinetmakers, Hicks. Typical of Clarke is his love of Prussian Blue