Aaron Dylan Kearns 🌹さんのイラストまとめ

Concept art for a comic I was thinking up. A somewhat Cat Eyed Boy-inspired protagonist and a deranged chimney sweep who makes clarinets out of his old brushes that he crafted from the tails of feral cats.

Listening to The Birthday Party's Hee Haw was giving me all sorts of new ideas for a possible absurdist spinoff of my old "A Man Of Leisure" series, one that features the side character Sun Child as the main protagonist. Something with a manic nonsensical atmosphere.

The framing of the poster was inspired by Francis Bacon's Crucifixion 1933, a painting that I've referenced frequently in my art over the years. It acts as a recurring theme in the concept art that was made to accompany a Frankenstein screenplay I've been working on since 2015.

I was born on the day the Marquis De Sade died!

This is my batshit way of saying that today's my birthday.

Finding a way to fit this post in Twitter's character limit was an experience I'll tell you that right now.

@Perry_Ruh Been long overdue on a rewatch of Possession, remember it being mind-blowing in the theater though.

Got three minutes worth of one of the early dialogue scenes in the animation sequenced today. It came out a very dense mixture of drawings with experimental video collages and pitch-black theatric absurdist dark comedy.

I have two Twitter events devoted to my production updates on the film. One is all the general production logs and the other one is solely the clips from the movie that I've shared.

Production Log & Announcements:
https://t.co/3pyEJ8cr8G
Clips:
https://t.co/nsP9ahNrDg

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Happy to say that the first version of my English transcript/recreation of the Tokyo Grand Guignol's 1984 play Mercury (マーキュロ/Mercuro) is now up on my website. Here's a link where you can read it:
https://t.co/cSPG8jiJpA

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In addition to working on The God Machine, I’m in the early stages of making a small-scale video project for YouTube that’d be a sort of recreation of one of the productions of the Tokyo Grand Guignol, acting as a document of their 1984 play Mercury.

Recent God Machine stills. I've been making this film with the mindset that it'll be my main chance at making a horror animation, so when it comes to visuals and themes it'd pretty densely packed with what would've been three or four animations compiled into one.