kViN 🌈🕒さんのイラストまとめ

It's time to talk about the struggle of anime production companies to establish an identity, why that's so valuable, and the potential effects of studio culture as illustrated by the High Speed! & Free! franchise.
🏊‍♂️🏊‍♂️🏊‍♂️➡️https://t.co/PBbjrqE2vC

KyoAniDo's latest promotion to key animator, Mei Isai @ Osaka. She moved up immediately after her training.

Every single finger in the monkey's paw curled after people asked for a Lucifer and the Biscuit Hammer anime

Anyway if you want to know about an anime studio that's started to *actually do significant changes in regards to working conditions*, this is the role the gorgeous Maquia played in P.A. Works' current strategy to improve. https://t.co/htbEVZzX2B

Extremely surprised Takemoto isn't directing Tsurune but Kadowaki's designs are so good...

Penguin Highway's staff shared the production materials step by step for this scene at Annecy. A thrilling original sequence director Hiroyasu Ishida wanted to insert - he loves these high-speed, imaginative dashes to the point of having built entire short films around them.

Press F to pay respects to the beautiful Studio Pablo paintings that were sacrificed for a nightmarish 3D Kenshiro cartoon that obscures the backgrounds in the first place

Both in awe that they made this level of detail work on a TV series and also kinda hoping they don't try it again because it's just outrageous. Save Takase & Takahashi for theatrical projects where this almost makes sense.

I went and checked the first volume of the key animation book too so now I'm deceased

Kaneko's art direction makes the idea of getting trapped in a deserted island more appealing than it should be.