AIGA Eye on Designさんのイラストまとめ

Suicide was a band so punk that even the punks hated them. See how the iconic New York duo’s record sleeves matched their sonic extremism. —by @jeres > https://t.co/3Dz41kuQgl

Why Do Some Authors’ Books Get a Branded Look? @APockros explores, featuring insights from Charlotte Strick and Rodrigo Corral > https://t.co/Woai7SM4HR

“The world is only getting noisier, it seems, and there is so much for authors to compete with, especially in a time of personal brands.” —Rodrigo Corral on how comprehensive book cover redesigns behoove authors > https://t.co/Woai7SM4HR

We wondered: Why do some authors’ books get a fully branded look? Yeah, it mostly has to do with capitalism. But we’ll be damned if it doesn’t make for some great art and design > https://t.co/Woai7SM4HR

Designer Bob Gill’s stripped-down methodology would often result in solutions that were startling in their simplicity > https://t.co/STfXbx3yWG

The ‘Corporate Memphis’ style emerged way before Facebook. Discover the dark reality about trends in illustration > https://t.co/L6uj0MpkA0

Blaxploitation films elevated Black characters and pushed the boundaries of poster design. Learn more about 5 movie posters from the era from @PosterHouseNYC curator Adam Howard > https://t.co/KKPr3xQb5l

The latest exhibition at @PosterHouseNYC features 20 movie posters from the Blaxploitation genre, showcasing how influential they were in a time before Black characters made their way to mainstream film. Learn about these posters from Curator Adam Howard > https://t.co/KKPr3xQb5l

What containers reveal (and conceal) about design and life—by Sasha Portis > https://t.co/rDAmf0aJhq

“Ninety-five percent of this is about the reading experience.” —Matt Willey (@MrMattWilley) the Pentagram partner who led the @parisreview redesign. Read more about the project > https://t.co/xs421KzePH