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NONaffArt CIC is a fine art organisation that specialises in offering creative workshops, studio space and community/public sculpture.
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Doodle of the Day: ‘Lying down horse’ (1977). Pencil and watercolour on paper, Elisabeth Frink (1930-1993). Frink was a British sculptor and printmaker who produced numerous studies of horses using a range of media. This drawing uses a delicately of tone building up the form.

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(2/3) Technology has always had an effect on artists whether directly or indirectly. One of the last great influences was the development of the camera which changed not just what we see but how we see. We could analyse movement, lighting, and changing forms more clearly.

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Doodle of the Day: Miner Emerging from a Stope (1942) Pencil, ink, pastel, watercolour, gouache on paper, Graham Sutherland (1903-1980). Sutherland visited Cornish tin mines as part of a commission from War Artists Advisory Committee and produced a series of beautiful drawings.

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Doodle of the Day: Yvette Guilbert Taking a Curtain Call (1894), Watercolor, crayon, oil paint on tracing paper mounted to cardboard, Henri de Toulouse-Lautrec (1864 - 1901).
There is an element of caricature about the figure in the drawing with negative space giving it depth.

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Artist Quote of the Week: “Practice what you know and it will help you to make clear what you do not know.“ - Rembrandt van Rijn (1606 - 1669).

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Doodle of the Day: Groupe Familial, (c.1940), Graphite on paper, Tamara de Lempicka (1898-1980). There is an air of sadness and/or despair in this work which could possibly reflect the events that were happening in Poland (the country of her birth) at the time.

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Doodle of the Day: Acrobats: Images of Spain. (C. 1812 - 20), Brown ink and wash on paper, Francisco José de Goya y Lucientes (1746 - 1828). This drawing shows Goya’s understanding of the human form in difficult poses. The use of negative space helps give a sense of movement.

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(2/2) Researching an artist’s less well known work can give you an insight into their creative (and thought) processes. Looking beyond the artist’s familiar work helps with this. it can also give you a fresh understanding on their influences and development.

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Combining techniques and media in art is something that artist explore. The artist Edgar Degas used monotype printmaking when he created his pastel drawings. He would first draw out the design on a plate in black ink then he would print before working the pastel into it.

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Doodle of the Day: Brunnhilde: The Twilight of the Gods (1894), Lithograph on paper, Odilon Redon (1840–1916). Redon produced this print based on the character from Wagner’s opera Twilight of the Gods (Götterdämmerung). He uses delicate line work in drawing out the character.

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