Akashi Ridayu Hidemoto, by Utagawa Kuniyoshi, ca. 1848

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. 『ユニコーンの浮世絵』
(Unicorn Ukiyoe)

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2/ For women of that time, hair was an important point to show their beauty. For this reason, painters also showed their attention to detail by expressing the hairline to the nearest 0.1 mm.

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Black-and-white is cool, too, right?

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モノクロもなかなかカッコいいでしょ?


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三代豊国「子宝遊」
https://t.co/a6AbG5v5Ut

江戸時代後期を代表する浮世絵師のひとり 三代 豊国(歌川国貞:1786-1865)による連作浮世絵「子宝遊」のうちの一枚。

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Done! My third fan-art for created by A great Ukiyoe style NFT project. This time I tried to draw my lovely cat into my drawing. I would say the art of Neko nation is 10x better than mine, go check about it!

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Utagawa Hiroshige (安藤広重, 1797–1858)

Weeping Cherry and Bluebird

ca. 1838

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Aren't the colorful ukiyo-e paintings cute?

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カラフルな浮世絵もよくない?

via

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If you look closely at the ukiyo-e, you can see that it's a string of numbers. It's like The Matrix!

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浮世絵をよく見ると・・・・数字の文字列に。まるでマトリックスでしょ!

via

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Peacock on the Pine Tree, by Toyota Hokkei, early 19th century

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Maiko Girl playing Hand-Drum, by Hasegawa Sadanobu III, 1985

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It's pretty cool in a monochromatic color, isn't it?

単色カラーでもなかなかいけてるよね?

https://t.co/QtvpouOS3z

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The amazing thing about Sharaku's works is that at a quick glance, you can say, "Oh, this is Sharaku's, isn't it?

写楽の作品は、ぱっと見で「あ、これは写楽のだね」となるのがすごい。これが江戸時代の版画でできてるなんて

https://t.co/G5qwmYC1mL

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