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Speaking of low expectations, we have Howard heroine Dark Agnes. After the abysmal Bêlit and the lukewarm Valeria this was a step up, mostly because Agnes came across as a character and not a caricature. I’m actually interested in where this series goes.
While I had a few nitpicks along the way, I’ve thoroughly enjoyed Aaron, Asrar, and company’s 12 part epic. They stuck the landing with what I found to be a satisfying conclusion in issue 12. I’m excited for what this team has in store for KING CONAN later this year.
It has been a minute since I’ve bought a Captain America comic, but this sounds promising. I’ve also been a fan of Olivetti’s artwork since Dark Horse’s adaptation of the Conan story “People of the Black Circle,” and Johnson’s THE LAST GOD from @DCComics has been a treat. https://t.co/ZWjWjZqplW
I’ve heard some fans bag on modern Marvel’s Conan art for not living up to legends like BWS and John Buscema. Well, some of these French editions I’ve seen are no better and some look far worse. (Yeah, yeah. Art is subjective. Duly noted.)
When Dark Horse held the Conan comics license, they certainly had a different take on Hyperboreans.
Art: Cary Nord
I don’t care how far the medium has come, horribly made games that are little more than an 8-bit virtual hellscape like this are part of why I am not and probably will never be a “gamer.”
“Barbarian,” a digital sculpture by 3D artist Qi Sheng Luo.