Forever Louise Brooksさんのイラストまとめ

While Thymian is entertaining at the brothel reception she sees that her father has recognized her in this classic scene from G.W. Pabst’s Diary of a Lost Girl (1929).

Louise on the cover of Cinemonde, Paris, May 8, 1930. Photo by Studio Lorelle.

Film Fun, December 1924. Cover: “The Breaking Point.”

“Speedy” Schlichter was a well-known member of the Weimar bohemian art scene in Berlin along with her more famous artist husband, Rudolph Schlichter. She also served as a model for a number of his illustrations and paintings.

Harkrider co-directed one film, the Flo Ziegfeld production Glorifying the American Girl (1929) along with the film’s costume and set design. He eventually wanted to produce his own NY stage extravaganzas but the Depression and WWII — and lack of financial backers — did him in.

Another Dyar portrait of a feathered Wynne, 1932. Designer Travis Banton used a similar plumage design in gowns for Marlene Dietrich in Shanghai Express (1932) and Louise in The Canary Murder Case (1929) (R):

Lana Turner by Eric Carpenter, 1942. #botd

And the classic, subtly provocative shot of Carole and the photo from the 1932 Richee session most often seen online:

Ann with the same hair and jewelry but different dress. The publicity photo # would also place these portraits from the same 1938 session with Hurrell. The earliest film for these pics was Angels with Dirty Faces (1938) but they were also used for Castle on the Hudson (1940).

Carole in images on posters for The Gay Bride (1934). Trivia: journeyman MGM director Jack Conway worked on a number of films starring Jean Harlow including Red-Headed Woman (1932), The Girl from Missouri (1934), Libeled Lady (1936) and Saratoga (1937).