Mechinations Podcastさんのイラストまとめ

my fall plans the delta variant

Let's talk about Bright Noa, everyone's favorite hamburger aficionado. "Role-wise, he’s the middle management type," Yoshikazu Yasuhiko, #Gundam's character designer, remarked. "So, I gave him a hairstyle imagining he’d develop a receding hairline a few years down the line.”

Okawara adds, “It's the energy pipes that quickly catch your eye. When thinking tactically you assume that hitting the pipe will disable the unit, so you could even consider it a weak point. However, had that pipe not existed then people would easily forget about the unit.”

He’s now a director at Studio Ponoc. He was assistant animation director on Mary and the Witch’s Flower (2017) and more recently, he was given the opportunity to direct “Invisible,” which was a part of the Modest Heroes (2018) short film compilation.

Given that #GiantRobo was produced over 7 years, it’s remarkable that Akihiko Yamashita stayed on the project from start to finish, contributing to every episode as a character designer. His vibrant and exuberant style gives the series a real consistency.

Asuka: "In short, things expand when warmed, and contract when cooled."

Meanwhile, Alberto:

Shout out to @RaduneGG, who pointed out that Slayer, a playable character from the #GUILTYGEAR series, was directly inspired by Alberto the Impact. Like his counterpart, Slayer can even disappear into his cloak, which is such a cool touch!

Masuo Shoichi storyboarded and illustrated the preparation montage from Ep.3 of #GiantRobo. Notably, he also worked on the first #Evangelion Rebuild film, which features a similarly epic sequence as the citizens of Tokyo-III work together to repel an Angel attack.

Toshiyuki Kubooka was one of three character designers who worked on #GiantRobo. His softer, more rounded style lends the show a certain warmth. He's contributed to a variety of projects, such as #Gunbuster and the Lunar and #Idolmaster series.