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Meticulously built years after years since 1994, our library includes fonts responding to all spheres of use of typography. Visit @typeparis @zecraft
typofonderie.com/links

フォロー数:645 フォロワー数:11577

Austerlitz was born in July 2014 with first attempt to design a roman, trying different terminals, then optical variations and italics. But it is in 2018 that the project will develop over a period of 2 years. Read about it:
https://t.co/nJWOPRUtrD

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Did you know that the Austerlitz g is simplified in the Small version to guarantee better reading comfort?
https://t.co/eryJITVYv5
Petit will be dedicated to very small sizes, Labeur to intermediate sizes.

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Are you looking for visual impact? Nothing better than a contemporary Slab for powerful titling that bring much more style than usual sans serifs.
➽ https://t.co/abk2hkMJJL
Mislab by Xavier Dupré.

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Mencken has sixty-three styles, divided into three widths, three optical sizes, romans, italics, borders and dingbats. Here Mencken Head who follow Didot genre in a contemporary outfit.
➽ https://t.co/0vUfZaJR9U

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Oui! with 38 OpenType features, Altesse offer a lot of possibilities. The 1557 glyphs are divided as follows: two sets of capitals, two sets of numbers and lowercase glyphs, punctuation, ornaments and vignettes.
➽ https://t.co/K345Id9o8k

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5/6 Typofonderie's Year in Review 2022
November: Austerlitz
Austerlitz, is a humble typeface in small sizes & a charming Parisian Didot in large sizes. 56 fonts divided into 4 optical sizes of 7 roman & 7 italic.
https://t.co/eryJITVYv5

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With Austerlitz, we set out to design a very reduced set of vignettes in weights and contrasts, adaptable and combinable.
https://t.co/b85L14OhOv
💡It was with Ambroise (2001) that we started designing sets of vignettes and borders adapted to every weights and width.

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🔤 Austerlitz alternates: Italics offer different endings for the g and y, in reference to the detail of the g present in Romans (Affiche, Gros, Labeur, not in Petit)

https://t.co/BoOPfuLJzB
 
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🔥🔥🔥 Just to show you some French words set in different optical sizes of Austerlitz. Extract from this page:
https://t.co/BV3XNc6GFG
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🔤 Austerlitz alternates: Asymmetrically, the typical shapes of Roman a and italic a are available. In fact you can use the roman a shape in its italic version, as it was the case a century ago for certain typefaces families.
https://t.co/BoOPfuLJzB

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