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👋 New! Austerlitz, is a humble typeface in small sizes & a charming Parisian Didot in large sizes. 56 fonts divided into 4 optical sizes of 14 styles.
➽ https://t.co/eryJITVYv5
Discover the history of this typeface loosely based on Série 16 by @jfporchez
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#typefaces #fonts
While the Didot style does not vary in the history of Spanish typography, Retiro tries to imagine this kind of typeface. Retiro is available 5 optical sizes. More than 1100 glyphs for the Pro version.
➽ https://t.co/e5oNI2L7er
Mislab is a slab serif typeface that was thought to be brighter and more legible than most others. How? By combining the strength of a slab serif with the lightness of a sans serif.
➽ https://t.co/x6ooCkptq1
Le Monde Journal, originally designed for Le Monde newspaper, has since become a typeface that adapts to extreme situations. It is economical, in the sense that it can be set in smaller sizes than other typefaces while remaining legible.
➽ https://t.co/JO5GEHbcLi
Drawing typefaces means understanding the way in which counter-forms are balanced against shapes, how the dynamics operate between the two. The aim is to create a dynamic from left to right. And for this, there is nothing better than to observe them in mirror.
Ardoise met the needs of publications. By extension, it met the needs of a newpapers typeface featuring a low contrast, straightforward forms. The verticals metrics and proportions of Ardoise are calibrated to match Mencken.
➽ https://t.co/Cie5hXC4Iw
AW Conqueror Sans was born out of this desire to fuse geometric and humanistic sans. In addition, AW Conqueror Sans in both romans and italics features swashes capitals and minuscules, forms usually associated with Renaissance serif italics.
➽ https://t.co/CbrlcnGpLS
Le Monde Livre Classic family distinguishes itself by its historical forms and by its numerous stylistic effects. Le Monde Livre Classic’s italics follow the models of the Renaissance and feature italic capital and lowercase swashes.
➽ https://t.co/VFs3REJVA0
When Le Monde Journal was developed specifically for use at small point sizes (below 10 points.) Le Monde Livre works beautifully for book typography, magazine settings. Italics more fluids.
➽ https://t.co/IatbPFMejj
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#typefaces #fonts #glyphs #typography #logotype
Designed by @xxdupre, Mislab is a slab serif typeface that was thought to be brighter and more legible than most others. How? By combining the strength of a slab serif with the lightness of a sans serif!
➽ https://t.co/x6ooCkptq1