typofonderie.comさんのイラストまとめ

Rather than sticking to the method commonly used these days for revivals of Jenson or Bembo types, it seemed more interesting to try and get in the same mindset as those exceptional designers during this pivotal period in the history of typography.. #fonts https://t.co/9GFxrXmYYQ

The #Didot typeface on the works since 2014. Several sizes and many weights on the way. Painting by Antoine-Jean Gros, 1812. Musée national du Château de Versailles.

Save up to €114 using the coupon code 15_CODIDOT to buy AW Conqueror Didot, an homage to 70s phototype typography in 26 fonts https://t.co/MPliICf5OJ

On the Gazette, read about Audace https://t.co/FzRMnP5ZHq and specially about the cover versions of good design that we admire. https://t.co/0phLVr2v8e

The punchcutter had to visually adapt his design to the engraving size. The aim was to optimize the best contrast and general weight, but also to respect both design’s and reader’s needs. https://t.co/DVP5jTqoFb

Retiro https://t.co/DVP5jTqoFb is a synthesis of these high contrast styles mixed with an Hispanic mind. Result is then, after 2-3 years of work, a typeface with countless variations.

Retiro https://t.co/DVP5jTqoFb is a daring interpretation of Spanish typography. Severe, austere and yet, full of life, Retiro is a vernacular version of Castilian and Andalusian in a typical Didot.

Designing geometric or grotesk sans serif italics isn’t pleasant at all. Does these #aiglon typeface shapes will survive without any retouch for 2019? Probably not.

#Repost @letterconstruction — check the full set of images they’ve designed. Very nice & smart. @aurelien_vret should like it!
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Letter „e” from Prosaic by Aurélien Vret for @typofonderie #angularcounterforms #opencounters #openendings #legibility … https://t.co/8FHi2FP2VW