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May your Christmas sparkle and your holiday overflow with (typographic!) gifts and ❤️love. Merry Christmas!
— @vporchez + @jfporchez
Le Monde Journal: How the Beziers curves have been draw, specially the "tear drop" as well the angle right before the serif to open up the connection. https://t.co/HDmKKvnqiK
Selecting the right weight is similar as choosing the right chair for the day. Another excuse to test a new typeface too. #wip
@jfporchez @ZeCraft @mathieureguer Ardoise https://t.co/pSaFLw7uoT shares a purity and dynamics with Excoffon’s designs giving it a unique elegance and excellent readability. Its sturdiness means it is virtually immune it to distortion.
@typecon @typeparis @jfporchez #typecon2019 Keynote: Type design in the computer age. 2-2 And indeed how to draw the line between interpretation and piracy. Let us reject the opportunism, shortcuts, bad practises that threaten this small typography industry. https://t.co/BeX8KGIxuJ
#typecon2019 Keynote: Type design in the computer age. 1-2 How it was to design typefaces before digital era? How communities play a crucial role in designer career, as well how teaching reinforces the understanding of daily practice. https://t.co/BeX8KGIxuJ
Thus Apolline is an exploration of the design methods used by people like Nicolas Jenson and his contemporaries for adapting handwriting with its multiple occurrences https://t.co/9GFxrXmYYQ