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@TeresaCremin @OpenUni_RfP @_Reading_Rocks_ @marygtroche @smithsmm @one_to_read @MrEPrimary @Mat_at_Brookes @Booktrust @MrEFinch @TinyOwl_Books @booksfortopics @jonnybid @Jo_Bowers Four different types of hope, here. The first is well worth picking up, Teresa. It may be one that 'sings' for you.
Texts like these are especially pertinent when pupils are having to deal with change and uncertainty.
@AAhandmadelife @lantanapub @lovereadingkids Thanks Amanda. I know you shouldn’t really judge a book by its cover - but knowing it’s also by @lantanapub it’s now rocketed up my wish list. 👌🏼
Reminds me so much of this beauty:
@ClubPicturebook @dc_litchfield @smithsmm @PaulWat5 @KarlDuke8 @LTeacher123 @one_to_read @sam_creighton @MrS_Primary @Misterbodd @MrsKirstBarrett How could I forget Grahame Baker-Smith.
There could be a sub genre of picturebooks just on water effects!
#PrimaryPicBookClub
@123_Mr_D @PaulWat5 @ClubPicturebook @dc_litchfield @smithsmm @KarlDuke8 @LTeacher123 @one_to_read @sam_creighton @MrS_Primary @Misterbodd @MrsKirstBarrett @EmmaYarlett Vashti Harrison. Just sublime.
@123_Mr_D @PaulWat5 @ClubPicturebook @dc_litchfield @smithsmm @KarlDuke8 @LTeacher123 @one_to_read @sam_creighton @MrS_Primary @Misterbodd @MrsKirstBarrett @EmmaYarlett Was concerned I was just focusing on male illustrators so went through my collection. Corinna Luyken and Britta Teckentrup have produced exceptional texts using a range of different materials and techniques to show light, or the absence of it.
@ClubPicturebook @dc_litchfield @smithsmm @PaulWat5 @KarlDuke8 @LTeacher123 @one_to_read @sam_creighton @MrS_Primary @Misterbodd @MrsKirstBarrett Would echo so many of these: Kay (esp. for A Monster Calls), Litchfield, Tan, Smith, Pinfold.
Beautiful.
Would add Matt Ottley and Jeremy Geddes (from Gary Crew’s ‘Eilean Mor’)
@fiincam @MichaelRosenYes @dialls2020 @alligatorsmouth - can you get hold of this? It looks like a beautiful text and one I’d love to use in class. Finnish origin. Difficult to track down online.
@RuddickRichard @lwilliamsjones @MrS_Primary @jonthelegend I liked it a lot. It’s dark, violent and fun. Never found a sequence that replicates an acid trip so vividly (for clarity, haven’t done acid!)
I’d go for one volume and see. Picked this omnibus up originally on recommendation of Inky Fingers’ staff in Oxford. Sadly shut down now
@TeresaCremin @SadiePhillips @marygtroche @MichaelRosenYes @nikkigamble @HannahTeach @GalwayMr @one_to_read @clpe1 @ImogenRW @imaginecentre I did before it closed. Shaun Tan had an exhibition on there in 2018 which I went to. Sad to see it go. Picked up an original Polly Dunbar from ‘My Dad’s a Birdman’ to mark the end of my masters - dissertation focused on fatherhood in Almond’s work.
https://t.co/UpD5dOgPf8
@librarymice @marygtroche @MichaelRosenYes @nikkigamble @HannahTeach @GalwayMr @one_to_read @TeresaCremin @clpe1 @ImogenRW @imaginecentre One of my favourites was at the signing queue. When asked about how he conceptualised scale in Mr. Wuffles, he said he had a camera at the eye level of the cat and explored the world from its perspective. Such an interesting idea and one that could be implemented in classrooms!